The new media art in China's development present situation
The new media art in China's development present situation
新媒体艺术在中国的发展现状
The new media art in China's development present situation
新媒体艺术在中国的发展始于八十代末,到九十年代中期,出现一批较优秀的作品和成熟的艺术家。
new media art in China's development beginning to 80 the end of generations, to the 90's intermediate stages, appears one batch of more outstanding works and the mature artist.
1996年9月,在杭州中国美术学院画廊,由吴美纯策划,举办了名为《现象与影像》的中国第一次录像艺术展。
In September, 1996, in the Hangzhou China fine arts institute decorated corridor, beautiful purely [`pjuəli] planned, conducted named " phenomenon [fi`nɔminən] and image " the Chinese first video recording art by Wu unfolds.
这个展览包括十几件录像装置和几个录像带作品,集中了张培力,王功新、陈绍雄等中国第一代录像艺术的开拓者。
This display includes ten several video recording installments and several video tapes work, concentrated [`kɔnsəntreitid] cultivates the strength, Wang Gong Xin, Chinese first generation of video recording art the and so on Chen Shao Xiong development.
该展在国内外获得了巨大反响,各地传媒以极大幅面加以报道,更由《文艺报》评为当年中国美术十大新闻。
Should unfold domestic and foreign in obtains the giant echo, each place media performed by the enormous width to report, evaluates the same year China fine arts ten big news by " literary newspaper ".
展览期间印发的由邱志杰主编的两本展刊,对国内外录像艺术的状况进行了深入介绍,翻译大批重要文献,在艺术界造成了重大影响。
Display period prints and distributes unfolds the publication by Chief Editor Qiu Zhi Jie's two, carried on the thorough introduction to the domestic and foreign video recording art condition, the translation large quantities of important literature, had the significant influence in artistic circles.
该展被许多批评家定位为中国当代艺术中重要的里程碑。
Should unfold by many criticisms is located for the Chinese present age art in the important milestone.
新媒体艺术在中国的发展现状
The new media art in China's development present situation
新媒体艺术在中国的发展始于八十代末,到九十年代中期,出现一批较优秀的作品和成熟的艺术家。
new media art in China's development beginning to 80 the end of generations, to the 90's intermediate stages, appears one batch of more outstanding works and the mature artist.
1996年9月,在杭州中国美术学院画廊,由吴美纯策划,举办了名为《现象与影像》的中国第一次录像艺术展。
In September, 1996, in the Hangzhou China fine arts institute decorated corridor, beautiful purely [`pjuəli] planned, conducted named " phenomenon [fi`nɔminən] and image " the Chinese first video recording art by Wu unfolds.
这个展览包括十几件录像装置和几个录像带作品,集中了张培力,王功新、陈绍雄等中国第一代录像艺术的开拓者。
This display includes ten several video recording installments and several video tapes work, concentrated [`kɔnsəntreitid] cultivates the strength, Wang Gong Xin, Chinese first generation of video recording art the and so on Chen Shao Xiong development.
该展在国内外获得了巨大反响,各地传媒以极大幅面加以报道,更由《文艺报》评为当年中国美术十大新闻。
Should unfold domestic and foreign in obtains the giant echo, each place media performed by the enormous width to report, evaluates the same year China fine arts ten big news by " literary newspaper ".
展览期间印发的由邱志杰主编的两本展刊,对国内外录像艺术的状况进行了深入介绍,翻译大批重要文献,在艺术界造成了重大影响。
Display period prints and distributes unfolds the publication by Chief Editor Qiu Zhi Jie's two, carried on the thorough introduction to the domestic and foreign video recording art condition, the translation large quantities of important literature, had the significant influence in artistic circles.
该展被许多批评家定位为中国当代艺术中重要的里程碑。
Should unfold by many criticisms is located for the Chinese present age art in the important milestone.
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The Current Place of New Media Art in China's Development
The Current Place of New Media Art in China's Development
The Current Place of New Media Art in China's Development
New media art from the late 1980s to the 1990s often appears as one batch of ever more outstanding work from many mature and talented artists.
In September of 1996, in a beautifully decorated corridor of the Hangzhou China Fine Arts institute, the exquisitely composed "Phenomenon and Image" -- the first Chinese-made art video -- was unfolded. It was created by the artist Wu.
The second half of this sentence totally confuses me...
orz
新媒体艺术在中国的发展现状
The Current Place of New Media Art in China's Development
新媒体艺术在中国的发展始于八十代末,到九十年代中期,出现一批较优秀的作品和成熟的艺术家。
New media art from the late 1980s to the 1990s often appears as one batch of ever more outstanding work from many mature and talented artists
1996年9月,在杭州中国美术学院画廊,由吴美纯策划,举办了名为《现象与影像》的中国第一次录像艺术展。
In September of 1996, in the gallery of China Academy of Art HangZhou, "Phenomenon and Image" -- the first Chinese-made art video -- was unfolded. It was created by the artist Wu.
这个展览包括十几件录像装置和几个录像带作品,集中了张培力,王功新、陈绍雄等中国第一代录像艺术的开拓者。
This display includes ten several video recording installments and several video tapes work, concentrated [`kɔnsəntreitid] cultivates the strength, Wang Gong Xin, Chinese first generation of video recording art the and so on Chen Shao Xiong development.
该展在国内外获得了巨大反响,各地传媒以极大幅面加以报道,更由《文艺报》评为当年中国美术十大新闻。
This exhibition was a great success in abroad, it was reported by medias in everywhere with huge pages, especially, it was priced to be the top 10 news of the year by << Literary newspaper>>
展览期间印发的由邱志杰主编的两本展刊,对国内外录像艺术的状况进行了深入介绍,翻译大批重要文献,在艺术界造成了重大影响。
Two journals were released in this exhibition by ZhiJiu Qiu, The journals gave the idea of world art video, and translated a lot of valuable documents. The art circles was impacted.
该展被许多批评家定位为中国当代艺术中重要的里程碑。
This exhibition was evaluated by many critics to be a historic landmark in art of present China
新媒体艺术在中国的发展现状
The State of New Media Art in China's Development
新媒体艺术在中国的发展始于八十代末,到九十年代中期,出现一批较优秀的作品和成熟的艺术家。
New media art from the late 1980s to the 1990s often appears as one batch of ever more outstanding work from many mature and talented artists
1996年9月,在杭州中国美术学院画廊,由吴美纯策划,举办了名为《现象与影像》的中国第一次录像艺术展。
In September of 1996, in the gallery of The China Academy of Art at Hangzhou, "Phenomenon and Image" -- the first Chinese-made art video -- was unfolded. It was created by the artist Wu.
这个展览包括十几件录像装置和几个录像带作品,集中了张培力,王功新、陈绍雄等中国第一代录像艺术的开拓者。
This exhibition showed ten video recording installments and several video tape works, the artists, are Wang Gong Xin, Chen Shao Xiong,Zhang pei li and others. They are the first generation of video recording art developers.
该展在国内外获得了巨大反响,各地传媒以极大幅面加以报道,更由《文艺报》评为当年中国美术十大新闻。
This exhibition was a great success abroad. It was reported by the media everywhere in huge pages, and was considered to be among the top ten news stories of this year in "Literary newspaper"
展览期间印发的由邱志杰主编的两本展刊,对国内外录像艺术的状况进行了深入介绍,翻译大批重要文献,在艺术界造成了重大影响。
Two journals were released in this exhibition by ZhiJiu Qiu. The journals displayed the idea of world art video, and translated a lot of valuable documents. Art circles were greatly impacted.
该展被许多批评家定位为中国当代艺术中重要的里程碑。
This exhibition was evaluated by many critics to be a historic landmark of art in present day China.